Banki
02-24-2009, 05:50 AM
http://i41.tinypic.com/2aguvlj.jpg
1. Ozzie & Max 3:18
2. Howlin' At The Moon 2:59
3. Big Rabbit 2:26
4. Face Tomorrow 5:04
5. Funk 42 4:16
6. Hold On 5:45
7. Cloverleaf Rag 0:47
8. Beaver Creek Mansion 3:52
9. Crossing The Transippi 1:52
10. Go With The Flow 5:03
11. Harbor Docks 3:17
12. Mr. Freddie 6:30
13. Song For Roy 4:04
14. Take Me Out To The Ballgame
In the church of bluegrass, mandolinist and fiddler Sam Bush has long been a
nonconformist--or at least the musical equivalent of a Cafeteria Catholic. In
1971, at 19, the rhythmic demon founded New Grass Revival, and for the next 18
years alternately amazed and enraged traditionalists, extending the band's
purview to reggae, jazz, and rock. Bush's third solo album finds him in top,
blindingly fast form: note the high-level cheer of "Hold On" or "Face Tomorrow."
On the instrumental collaborations with long-time pals such as Bela Fleck and
Jerry Douglas, the mandolin-meister shines, as ever. But why is it that he never
gets enough credit as a violinist? The wailing intro to "Crossing the Transippi"
demonstrates that Bush plays second fiddle to no one.
http://rapidshare.com/files/180945585/Sam_Bush_-_Howlin__At_The_Moon.rar
1. Ozzie & Max 3:18
2. Howlin' At The Moon 2:59
3. Big Rabbit 2:26
4. Face Tomorrow 5:04
5. Funk 42 4:16
6. Hold On 5:45
7. Cloverleaf Rag 0:47
8. Beaver Creek Mansion 3:52
9. Crossing The Transippi 1:52
10. Go With The Flow 5:03
11. Harbor Docks 3:17
12. Mr. Freddie 6:30
13. Song For Roy 4:04
14. Take Me Out To The Ballgame
In the church of bluegrass, mandolinist and fiddler Sam Bush has long been a
nonconformist--or at least the musical equivalent of a Cafeteria Catholic. In
1971, at 19, the rhythmic demon founded New Grass Revival, and for the next 18
years alternately amazed and enraged traditionalists, extending the band's
purview to reggae, jazz, and rock. Bush's third solo album finds him in top,
blindingly fast form: note the high-level cheer of "Hold On" or "Face Tomorrow."
On the instrumental collaborations with long-time pals such as Bela Fleck and
Jerry Douglas, the mandolin-meister shines, as ever. But why is it that he never
gets enough credit as a violinist? The wailing intro to "Crossing the Transippi"
demonstrates that Bush plays second fiddle to no one.
http://rapidshare.com/files/180945585/Sam_Bush_-_Howlin__At_The_Moon.rar